The Marco Beltrami Universe



















I  N  T  E  R  V  I  E  W  S

   (a) article      (p) audio podcast     (s) recording sessions documentary      (v) videointerview

Please, note that the back ups of video interviews will start playing after opening in a new video when the video loads. The back ups are available mostly for archival purposes only and to avoid losing these precious articles and audio and video files when original publisher can no longer store them or are moved to a different location within the website of original publisher. If you come across any non-working links, please report them at the Guestbook.



- (p) Sound of the Movies: Conversation with Marco Beltrami, January 2018

- (v) All Access: Marco Beltrami, September 2017

- (p) Composer Marco Beltrami on GODS OF EGYPT, Tony Tellado, March 2016

- (v) Marco Beltrami on THE HOMESMAN - GoldDerby, December 2014
- (a) Contender - Composer Marco Beltrami, The Homesman - BTL News (published December 1st, 2014)
- (v) THR: The Composers Panel - THR, December 2014
- (a) Behind the Score with Marco Beltrami - The Homesman - Soundworks Collection (published Dec 1st, 2014)
- (a) In The Homesman the Wind is the Sound of Insanity - NPR (November 22nd, 2014)
- (a) The Biggest Outdoor Windharp in Malibu - LA Weekly (November 20th, 2014)
- (a) THE HOMESMAN: Marco Beltrami and Buck Sanders' Dream Project - Film Score Monthly Online (November 2014)
- (p) SoundWorks Collection Interview Series - Composer Marco Beltrami (November 10th, 2014)
- (a) From Scream to Snowpiercer: Composer Marco Beltrami - The Credits (November 5th, 2014)
- (a) Beltrami's a Giver: Delving into Dystopia. Film Score Monthly Online, August 2014
- (a) Academy Award-nominated Composer on Scoring 'Snowpiercer' and 'The Giver', IndieWire, August 14, 2014
- (v) Marco Beltrami, Composer, 2014, DP/30, June 2014
- (a)  Interview with Composer Marco Beltrami on Scoring for Genre and Snowpiercer, Moviemaker June 27th 2014
- (a) Interview with Marco Beltrami, Film Music Magazine, June 18th 2014
- (p) Decoding the Sounds of AMC's Spy Series TURN, Soundcheck, April 2014

- (a) Beltrami's Bloody Prom Night, Film Score Monthly Online, October 2013
- (a) WWZ Composer M.B. had to pull back "Agressive" Score... (Thompson on Hollywood)
- (v) WORLD WAR Z Music Score Feature (Ain't it Cool News)

- (a) Scoring Horror: Interview with Marco Beltrami Part 1 of 2 (Cinema Knife Fight)
- (a) Scoring Horror: Interview with Marco Beltrami Part 2 of 2 (Cinema Knife Fight)
- (a) Marco Beltrami's WORLD WAR Z score: Pig Skulls and Emergency Sirens: Hollywood Reporter, June 21, 2013
- (a) WAMG Talks to WORLD WAR Z composer Marco Beltrami: We are Movie Geeks, June 20, 2013
- (a) World War B: Marco Beltrami Battles a Zombie Pandemic, Film Score Monthly Online, June 2013
- (p) Marco Beltrami Interview about WORLD WAR Z and more, The Movie Bit, June 17, 2013
- (v) Marco Beltrami Interview (from Paris Film Festival Fall 2012); Cinezik
- (a) Interview with Marco Beltrami and Buck Sanders, Film Music Magazine, February 4, 2013
- (a) Composer M. Beltrami talks about recent scores and working with J. Goldsmith, Media Mikes, January 9, 2013

- (a) Beltrami: Tapping into they keys of Success, Variety, Nov 15, 2012
- (a) Beltrami dials it down, Variety, Nov 15, 2012
- (a) A Place to Experiment and Create, Variety, Nov 15, 2012
- (a) Beltrami Throws a Curve. Film Score Monthly Online, September 2012
- (p) Fans of Film Music Gathering. Film Music Magazine, September 1, 2012

- (p) Interview Marco Beltrami and Buck Sanders, FilmMusicSite, September 2011
- (a) Don't be Afraid of Beltrami and Sanders, FSMonline, August 2011
- (v) Composer Marco Beltrami on Sidewalks TV. SidewalksTV, May 2011
- (a) Scream of the Crop, FSMonline, April 2011
- (v) Fear of Death: Marco Beltrami and Wes Craven stop by the ASCAP EXPO Playback Stage. ASCAP, April 2011
- (p) "IN"terview with Wes Craven and Marco Beltrami, aPLISSKENproject, ASCAP, April 2011
- (a) Scream 4 exclusive: Marco Beltrami settles the score (Q&A). SFExaminer, April 3rd, 2011 (back up link)
- (v) WhargarblTV Interviews Marco Beltrami. WhargarblTV, April 1st, 2011

- (a) Dreher graduate nominated for composing score to The Hurt Locker. State, March 7, 2010 (back up link)
- (a) Takes two to Tango for The Hurt Locker composers. The Wrap, Feb 24, 2010 (back up link)
- (a) The Hurt Locker: Mainlining the War at Death's Door. MFTM, 2010 (back up link)
- (a) The Hurt Locker: Bluring Lines between Sound & Score: Sound Designer P. Ottosson. MFTM, 2010 (back up link)
- (p) Marco Beltrami & Buck Sanders: The Hurt Locker. ScoreNotes, 2010 (back up link)
- (p) 2010 Oscar, Best Score Nominees - Marco Beltrami & Buck Sanders. KUSC, Feb 23, 2010 (back up link)

- (a) The Prophecies of Doom: Knowing Composer Marco Beltrami. MFTM, 2009 (back up link)
- (a) The Blood Running through a Movie's Veins: Director Alex Proyas. MFTM, 2009 (back up link)
- (a) Bertrand Tavernier Interview (IN FRENCH). Cinezik, April 14, 2009 (back up link)
- (a) Awards Watch: Composers Roundtable. THR, Feb 12, 2009 (back up link)

- (a) Taking the 3:10 to Yuma with Marco Beltrami. SoundtrackNet, Jan 21, 2008 (back up link)
- (p) The 3:10 to Yuma: An Interview with Composer Marco Beltrami. ScoreNotes (back up link)
- (a) Marco Beltrami Interview. Soundtrack, April 2008 (back up link)

- (a) Marco Beltrami ad Abbey Road incidendo The Omen. Colonne Sonore, May 2006 (back up link)

- (a) An Evening with Marco Beltrami on the phone. BSO Spirit, April 20, 2004 (back up link)

- (a) Cinescape Interview with Marco Beltrami on T3 by Randall Larson, Cinescape, July 3, 2003
- (a) Marco Beltrami Exclusive Interview. ScoreTrack, July 2003 (back up link)
- (a) Marco Beltrami scores with genre films. IGN, July 16, 2003 (back up link)

- (a) Marco Beltrami on Blade II. Soundtrack Magazine Vol. 21, no. 81/2002 (back up link)

- (a) Goldsmith by Beltrami: The Master and Student. Underscores, Sep 2001 (back up link)

- (a) Getting down with Marco Beltrami. SoundtrackNet, Sep 9, 2008 (back up link)

(c) 2005-2011 Petr Kocanda. Redesign 2010.
All content is intended for promotional use of the composer only and shouldn't be used for any commercial purposes.